Sucker Punch (2011)

Sucker Punch (2011)

I went into this movie with a mixed set of expectations. On the one hand, I had a feeling that it was going to be a terrible waste of two hours. On the other hand, I thought Zack Snyder would evoke the same kind of visceral satisfaction as we got from the Spartans in 300. Ironically enough, neither one of these expectations really came to pass.

In case you’re not as familiar, the premise behind Sucker Punch is a troubled girl is institutionalized after she is accused of killing her sister; unfortunately for her, the mental hospital is really a front for a brothel and “Baby Doll” is about to be sold off to a high roller. She must find a way to escape, so she partners up with the other attractive young women institutionalized in the same facility… except, she drifts off into some sort of fantasy world to do it.

The parts that take place in the “reality” of the brothel/institution aren’t nearly as satisfying as the battle scenes that go on inside of her head. We get some very clear nods to Akira Kurosawa, The Matrix, and Lord of the Rings, as well as zombie Nazi soldiers for good measure. All this while the young women are scantily clad in their “empowering” (perhaps “fetish friendly” is more accurate) outfits. It’s all very self-indulgent without having that same visceral appeal that we got in Watchmen and 300. On the plus side, Sucker Punch is bad for all the right reasons: Snyder took a chance. That’s much better than yet another vanilla project that looks like all the others.

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The Fighter (2010)

The Fighter (2010)

It’s easy to assume that a movie like this is going to have some hardship and then an Rocky-like triumph. That’s a part of The Fighter, but this is much more of a character piece than anything else. You get Mark Wahlberg’s character, who is on his last real chance at the championship, and then you have Christian Bale’s character, the old has-been who is now addicted to drugs.

I’m not really sure that I would put The Fighter in the same realm as the other Oscar nominees this year, but Bale’s performance was particularly compelling, showing a broad range of emotions and circumstances. Not to take anything away from Melissa Leo, but I really didn’t see anything in her performance that stood out.

I would have liked if there was a little bit more boxing in the film and it may have helped if the relationship with Amy Adams’ character was more fleshed out, but The Fighter as it stands is satisfying enough for a unanimous decision (though not a real knockout).

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Animal Kingdom (2010)

Animal Kingdom (2010)

Crime dramas are great, even if they don’t necessarily involve a lot of gruesome violence. We get that with The Godfather, The Sopranos, and even Eastern Promises. Animal Kingdom takes us to the criminal underbelly of Australia, but it ultimately comes up short.

I’ve seen more than a few glowing reviews of Animal Kingdom elsewhere, but the movie just felt too drawn out and slow-paced. There’s tension, to be sure, but the pacing gets positively excruciating at times (and not in a good way). I get it; real life isn’t wham, bam, boom, but Animal Kingdom could have easily been 30 to 40 minutes shorter.

Some of the characters are almost interesting, but I never make a real connection with any of them.

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